An artistic mini-portrait, tying together my approach to composition, improvisation and electronics, interspersed with ink drawings I made over the years. Created by producer Filippo…
William Byrd (c.1540-1623) – Hugh Ashton’s Ground (also Hugh Astons Grownde) From my concert at the Elbphilharmonie in Hamburg, 2017. A ground is a musical…
Berlin’s BABYLON ORCHESTRA performed an arrangement of my piece “Between Carthage and Rome”, and is now recording the piece for inclusion on their new album….
The opening piece of my concert at the Elbphilharmonie in Hamburg. Comprised of 3 sections: Introitus combines elements of Baroque and Renaissance contrapuntal writing with…
A video from my concert at the Elbphilharmonie, the new Philharmonic building in Hamburg. “Maqam Constellation” is a meditative soundscape from my album “Time Sketches”, released…
Visual artist Sahar Homami (A.K.A. S A H A R) has created a beautiful animated video for my piece “Simple Rotation” from my new album…
A piece called “Behold!” from my recent album “Time Sketches”, arranged for string quartet, synthesizer and piano, performed at the 5 Seconds Festival at the…
STAIRCASE is a track from my new album, Time Sketches, released on the German label Neue Meister. Staircase is one of my favourite tracks on…
This Taqsim, or improvisation, from my album “Between Carthage and Rome”, was released in early 2015. It is set in Maqam Huzam, a scale/mode used in Middle-Eastern music,…
On March 9, 2017 I performed my piece “Behold!” for piano, string orchestra and synthesizer, with the Deutsches Kammerorchester Berlin, in a concert at the…
On May 3rd, 2016 I had the pleasure of playing a concert with Gregor Schwellenbach, Erol Sarp, Haushka, Paul Frick and Daniel Brandt at the…
An ambient soundtrack for a short documentary about two art installations by London-based group United Visual Artists. The light-based installations, called Canopy + Connection,…
This is a recording of my piece for voices, organ and synthesizer called “Flock”. Flock was commissioned by the Morgenvogel Festival, to write a piece…
The Atonal Maqam is a certain style of improvisation I’ve developed over the years. I love it because it feels like coaxing the piano into…
A recording of John Kameel Farah’s live performance from Roy Thompson Hall during the Toronto Symphony’s New Creations Festival, March 7, 2013. Presented by SoundStreams,…