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An artistic mini-portrait, tying together my approach to composition, improvisation and electronics, interspersed with ink drawings I made over the years. Created by producer Filippo…
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William Byrd (c.1540-1623) – Hugh Ashton’s Ground (also Hugh Astons Grownde) From my concert at the Elbphilharmonie in Hamburg, 2017. A ground is a musical…
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Berlin’s BABYLON ORCHESTRA performed an arrangement of my piece “Between Carthage and Rome”, and is now recording the piece for inclusion on their new album….
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The opening piece of my concert at the Elbphilharmonie in Hamburg. Comprised of 3 sections: Introitus combines elements of Baroque and Renaissance contrapuntal writing with…
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A video from my concert at the Elbphilharmonie, the new Philharmonic building in Hamburg. “Maqam Constellation” is a meditative soundscape from my album “Time Sketches”, released…
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Visual artist Sahar Homami (A.K.A. S A H A R) has created a beautiful animated video for my piece “Simple Rotation” from my new album…
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A piece called “Behold!” from my recent album “Time Sketches”, arranged for string quartet, synthesizer and piano, performed at the 5 Seconds Festival at the…
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STAIRCASE is a track from my new album, Time Sketches, released on the German label Neue Meister. Staircase is one of my favourite tracks on…
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This Taqsim, or improvisation, from my album “Between Carthage and Rome”, was released in early 2015. It is set in Maqam Huzam, a scale/mode used in Middle-Eastern music,…
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On March 9, 2017 I performed my piece “Behold!” for piano, string orchestra and synthesizer, with the Deutsches Kammerorchester Berlin, in a concert at the…
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On May 3rd, 2016 I had the pleasure of playing a concert with Gregor Schwellenbach, Erol Sarp, Haushka, Paul Frick and Daniel Brandt at the…
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An ambient soundtrack for a short documentary about two art installations by London-based group United Visual Artists. The light-based installations, called Canopy + Connection,…
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This is a recording of my piece for voices, organ and synthesizer called “Flock”. Flock was commissioned by the Morgenvogel Festival, to write a piece…
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The Atonal Maqam is a certain style of improvisation I’ve developed over the years. I love it because it feels like coaxing the piano into…
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A recording of John Kameel Farah’s live performance from Roy Thompson Hall during the Toronto Symphony’s New Creations Festival, March 7, 2013. Presented by SoundStreams,…